05/ 9/2008

"Affordable" Ferrari Makes a Glorious Noise

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For some time now, there has been rumor of an "affordable" Ferrari. Affordable, as in you'll only have to sell one of your children on the black market to pay for it instead of the usual two children. Other than that, details have been a bit sketchy. There were some fake drawings a while back. Spy shots have trickled in. A video or two. But now things are firming up. It now appears that the vehicle will be christened with the alpha-numeric and sufficiently Ferrari-esque handle F149. It's also called the "GT" sometimes. It's expected to share its platform and significant chunks of running gear with similar grand tourers from Alfa Romeo and Maserati. Since all are owned by FIAT, it doesn't surprise me that there's a bit of badge engineering going on. It's just not that often that you see it happening so transparently at the supercar level. To that end, the debate has been raging as to whether this particular car devalues the Ferrari brand. Presumably, some of that debate has to do with who the consumers of same will be. Personally, building a car that some of us could one day hope to own doesn't seem like devaluation of the brand to me. Frankly, more harm is probably being done by the Ferrari theme park in Dubai, the hideous Ferrari-edition Acer laptop or the partying ways of F1 piloti Kimi Raikonnen. But then again, perhaps I am but an aspirant proletarian who doesn't understand his place in the world.

Moreover, I'm sure that some would say that I don't understand luxury goods either if I don't think that they can be devalued by merely falling into the wrong hands. And surely I remember getting into a rather spirited thrash a while back with a former Organic about whether or not rapper Jay-Z (net worth $400M) was damaging the Cristal nameplate by giving the brand hundreds of millions of dollars in free advertising by way of song. But I digress. This is an interesting one. Ferrari, at its core is supposed to be about the red-blooded passion of performance motoring. Which does more to reinforce that credo? Having hopelessly undertrained douchebag multimillionaires buy them as museum pieces or worse still, wreck them? Or, letting them collect a few paint chips on track days and backroads blasts. I say let the masses have a turn already. Or at least the top-earning one-tenth of one percent of the masses.

It will likely still be more than a couple of ticks too far into the Robin Leach zone for my wallet (once pricing is revealed), but just the same, one can dream, right? Indeed one can. As a visit to this URL proves.

The good folks in Maranello, as well as their digital agency of record, seem to have an absolutely perfect understanding of one of the core attributes of their brand that inspires these dreams: sound. From the early V12s of the '50s to the as-yet unreleased F149 GT, sound is something that Ferraristi prize. So, when building a teaser site for an unreleased vehicle, how brilliant is this? Virtually no pictures. But virtually the full range of engine noises. From startup to test track, there's some serious rip and snort. And most importantly, they are sound waves befitting the prancing horse. I also love the old-school Oscilloscope sound wave thingy. And the picture of the trunk lid. That countdown clock is an ominous signal to the bank balances of underfunded dreamers worldwide, but Ferrari gets some props for seeing the wisdom in putting product a little closer to the dreamscape of gearheads everywhere.

Daniel Turman

Blackberry 9000 Sneak Peek

Crackberry.com has purchased a currently unreleased version of the Blackberry - the 9000.
RIM has given the Blackberry a huge facelift - the user interface is a slick black with white icons, similar to a PSP.

Of course the list of technological advancements are huge: 650mhz CPU, video playback, Wi-Fi, 3G network support, hi-res screen, video recording, the list goes on.
 
View part I and II of the review here:
http://crackberry.com/blackberry-9000-smartphone-hands-review
http://crackberry.com/blackberry-9000-smartphone-review-part-ii
 
Morgan Tiley

05/ 8/2008

Hypermiling with Tony

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With the gas prices way up (sooo painful), I have started to practice some hypermiling techniques - trying anything to get those extra miles per gallon.

I will probably never exercise the extreme hypermiling measures (avoiding hilly routes, drafting other cars or trucks, turning off the engine when at red lights, etc.), but some of the simpler techniques, such as reducing hard stops or fast accelerations, coasting into red lights, or trying to time traffic lights to avoid stops, can reap decent benefits.
 
Interested in the benefits of hypermiling? You'd be surprised by what can be achieved.

http://www.edmunds.com/advice/fueleconomy/articles/120880/article.html
http://money.cnn.com/2006/05/01/Autos/driving_for_mpg/index.htm
http://en.wikipedia.org/wiki/Hypermiling
 
Reducing the hard (or even normal) accelerations are going to be tough for me. I don't want to be labeled the milkshake who takes forever to accelerate up to posted speeds.

Tony Jankiewicz

Bright Kite is a Bright Spot in LBS

brightkite_iphone.pngIf you've read any of my previous posts, you know I'm a big proponent of location-based services. Bright Kite is the latest in a long line of startups aiming to bring location-specific services to the masses. At its core Bright Kite is a location-aware social recommendation service. Users are encouraged to define their oft frequented locations, once at a defined location users can view a placefeed - think location-specific twitter - as well as, post notes, images, and check in. All of the site's functionality is also available through their excellent iPhone web app.
 
All in all it's a pretty slick service with tons of potential. It improves on at lest two very popular services [can you guess which?] and, if it can attract a large enough user base, might give them a run for their money. The other thing Bright Kite has going for it is that anything location-specific should be a breeze to monetize.   

Dan Neumann

05/ 7/2008

My Sunday with Kevin Kelly, or The New Visuality, Data Storage and the Future of Human Knowledge Transfer

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Last Sunday, I did a most unlikely thing. I went to see someone deliver a PowerPoint presentation. On a Sunday. And it wasn't raining. Usually, a sunny Sunday in San Francisco is not something to be trifled with, but at the urging of a friend I went to watch the keynote address for this year's San Francisco International Film Festival. The guest of honor was noted futurecaster and big-picture technology thinker of considerable esteem, Kevin Kelly.

Kelly is probably most well known as the founder of Wired magazine. But there are a lot of Internet-cred activities in his history. He said that he's been online since way back in 1981. As such, he was instrumental in founding The WELL, one of the earliest online communities. Another large part of his mystique is related to the fact that Andy and Larry Wachowski made his book, Out of Control: The New Biology of Machines, Social Systems, and the Economic World, a required read for all of the actors in the original Matrix film. Apparently, Kevin is also quite a fan of documentary filmmaking and one of his many blogs is devoted to this topic alone. Presumably, this would be why he was invited to speak at a film festival. The other eight blogs (!) cover off on all of his primary fields of expertise and interest, as well as the assorted personal factoids.

Nonetheless, the real meat of this here post was supposed to be his "State of the Cinema" address. And in keeping true to form, he let loose a big, honking idea on the assembled. And this thesis was a thought-provoking one. Essentially, it is thus: humanity is at a profound moment, a moment that will be defined by the migration of our written tradition to a video-based record-keeping and knowledge-transfer system. With a future that is being built right now, we will have a searchable inventory of untold billions of still and moving images. These will catalogue in some considerable detail the singular enormity of human life on this planet and its myriad interests. Much as our computers--and ourselves--already function as honey bees in a hive, our new and emergent capabilities with video become will relate our experiences as a giant digital-video tapestry, one that we all add a few stitches to. As this happens, we will concurrently also be developing a more efficient method for sharing the aggregated knowledge of humanity.

This is not unprecedented. Some hundreds of years back, human knowledge transfer went through a profound shift from an oral tradition to a written one, from "orality" to "literacy," as he would have it. This transition period was accelerated dramatically by the invention of the printing press. It was also expanded systematically over the years. This great epoch is currently reaching its fulcrum of utility with the seemingly infinite search and storage capacities afforded by the Internet. But this capacity is also one of the primary drivers in the shift Kelly is predicting. Given that the search, storage and distribution functionality of the Internet is now paired with the inherent profundity of literally billions of cameras photographing so much of our world so often, we will all essentially be working on the discrete components of one giant flippin' movie. Or, as Kelly put it in a related interview.

"I'd say we're in the Gutenberg shift; that is, a shift of a similar scale as was the transfer from oral culture to a literate culture based around text, and now we're going from that to this culture based around moving images. Which has been happening for a while, but now it has been accelerated with new levels of tools. We're going from being the People of the Book to being the People of the Screen."

This begs an obvious, but tough, question. And for once I was glad to hear someone other than myself stand up and ask it. If we are migrating our history and traditions to video, then what concurrent effect will this shift have on humanity? Moreover, is this shift even a good idea? We can look backwards and see that the printing press led directly to a period of such radical knowledge expansion that it is known simply as The Enlightenment. But we cannot look forward and see with clarity whether a shift to video will have a similar effect. Or if it will turn us all into future-world Beavis and Butthead clones. What we do know? We know that books (and reading) work as a means of accurately relating large-scale truism. We know that video also can work in this capacity. But we also know that we don't always demonstrate a tendency to use it for the highest and best goals of humanity. Ultimately, our experience with video is still too new, and our tools too primitive, to consider our video-driven future and to know how that experience will change the way we use our brains.

Mr. Kelly didn't pretend to know the answer to that one either, but he did mention that there were pre-enlightenment scholars who lamented the loss of the oral tradition. That these fine folk felt--and perhaps with some degree of accuracy--that there was a nobility to the spoken word. Being a good storyteller and communicator was an essential tool of scholarship. Moreover, they lamented that this oral capability would slowly die off if the written word was elevated to the top slot. Nonetheless, even with this history to consider, we can only wait and see how the next great shift changes the landscape of written language as we currently know and use it. Moreover we can only wait and see where this transition takes the whole of humanity.

I do, eventually, want a Holodeck though.

Daniel Turman

PS. Strange, but given that there was a videographer recording the whole presentation, and given that it was Kevin Kelly, and given that he was talking about this idea of emergent visuality, is it really too much to expect that someone is his camp would have uploaded at least an excerpt to YouTube or one of his nine blogs already?

The Secret Behind Google Search Technology...

Google is powered by Post-It Notes.

For more interesting uses of Post-It Notes, check out the YouTube Post-It Notes contest, where users are encouraged to upload a video showing their unique use of the notes for the chance at $10,000.

Marta Strickland

05/ 6/2008

Mariah Carey + "CompuNerd"

Geek Squad is an Organic client, and I love the way that the Geek Squad agent has become part of popular culture.  First Chuck on NBC (still on the air!), now the video for the ageless Mariah Carey's latest single.  BTW, Mariah has 18 #1 singles, second all-time after only The Beatles.

Misha Cornes

05/ 5/2008

Burma: It Can't Wait

Burma has been on everyone's mind in the last few days as a result of the catastrophic cyclone that struck on Friday, killing as many as 10,000 people.  It's a tragic way to bring the appalling human rights situation in Burma back to the forefront of the collective consciousness after the monk-led anti-government protests of September 2007 failed to bring about any changes.

My mother is Burmese and I have plenty of family living in Rangoon/Yangon.  One of my cousins was arrested and beaten by the Burmese government for his association with opposition leader and Nobel laureate Aung San Suu Kyi.  For me and for anyone concerned about the Burmese political situation, it's hard not to feel powerless in the face of an immovable military regime.

The U.S. Campaign for Burma is taking an interesting and provocative approach to making Burma relevant, refusing apathy and sending the message that collectively, we can do something about the situation.  In conjunction with the Human Rights Action Center and social shopping site Fanista, they have created a 30-day campaign that uses short celebrity videos to raise awareness of the plight of the worlds only imprisoned Nobel Peace Prize recipient and the atrocities occurring in Burma.  Some of the spots are serious (Julie Benz), many are humorous or irreverent (Will Ferrell, Jennifer Aniston).  Each is unique and worthy of pass-along.

The goal is gather a million signatures of support for Burma in 30 days.  Welcome to social action, new media style!  As Human Rights Action Center founder Jack Healey writes:

"I've thought long and hard about how to create a new paradigm, a new thrust, a new energy, a new force. I am bored by public service announcements and feel that they have lost their effectiveness. I set out to create a new genre...A big or small non-profit can now define themselves without raising tons of cash through direct mail, cutting down trees for the paper, and can go up online and get the world to respond in a new way."
Sign up, add your voice, make a donation, and spread the word!

http://www.burmaitcantwait.org

Misha Cornes

Olinda - Your Radio as Your Social Network!!!

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Olinda is a prototype digital radio that has built in social networking features: You can see what stations your friends are listening to!  It is also modular in design, allowing the hardware to be customizable. Currently it is only a prototype from the creative design agency Shulze and Webb Ltd.

What is really interesting is that it is one of the first migrations of what is a software based - interactive experience into a hardware based experience.  I wonder if this is could be the start of the shift where interactive paradigms start to find stronger offline manifestations.

Check it out at:

http://schulzeandwebb.com/2008/olinda/

Baron Conway

05/ 2/2008

Times Newsreader

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Times redefines the concept of both an RSS feed and what it means to be a newspaper online.

Times is a new Mac OSX app. that presents you with a format that is just like a traditional newspaper.  However you select the feeds just as you would for any other RSS feed/newsreader.  It is an interesting take on what both a newsreader and an online newspaper could or should be.

It has a great design sense, great features and the person who created is only 19!

http://www.acrylicapps.com/times/

Baron Conway

05/ 1/2008

Grand Theft Auto IV

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The run up to the launch of GTA IV has garnered its usual share of press. (Most of the mainstream press, as usual, covers the various conservative groups that see it as a sign of the apocalypse, an instigator of violence, a destroyer of young minds.)  But I digress.  In addition to creating a well-reviewed game, Rockstar has done a good job of creating buzz that goes beyond the usual 'what about the children?' variety. 

A week or so ago it was revealed that Ricky Gervais makes an in-game cameo, doing 3 minutes of original stand-up material in a Liberty City nightclub.  They went all out on that one, apparently, including getting Mr. Gervais to don a mo-cap suit to increase the realism of his in-game appearance.  
 
Fair enough, celebrities - been done.  Videogames ruining the nation's youth - been done. (Though GTA probably holds the prize for specific mentions there).
 
But on a different tack, Rockstar and IGN have teamed up with Google Maps to deliver a different view on the game.  It allows gamers to add markers to a Liberty City map and add commentary and ratings of attributes like "difficulty", "fun factor" , "time it took" and "fight club".   I'm wondering if this is a one-off or if they'll take it the next logical step and add "street view" capabilities.

David Lewis 

Emotional Conflict

allineed.jpgThis is one of the most inspiring videos I've seen in some time. It's Radiohead's latest video release. It takes on the issue of human trafficking.

An aside: How many ways can Thom Yorke debunk the music model in one year?

First the pay-as-you-go release.

Then the remix-it-your-way release.

Now the cause-marketing release.

Anyway, I love this video because I felt two emotions simultaneously. Innocence and exploitation. Warmth and emptiness. Virtue and guilt.

Emotional conflict is a timeless way to get people to connect to your idea, your campaign, your cause. This is incredibly fresh.

Bryan Fuhr

Already Caught Sleeping on the Job (or Not!)

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(For those of you who haven't seen the announcement, Mark Kingdon, Organic's CEO, is stepping down to lead Linden Lab, the maker of Second Life.  Tomorrow is his last day.  -Ed.)

When someone chooses to leave the company at a natural point in their career, when their work is done and the timing is comfortable and right for Organic, I like to say that person is "graduating."   I am officially "graduating" from Organic on Friday, May 2nd.

Omnicom has begun a search for a new CEO for Organic.  Until the role is filled, an interim management committee made up of seasoned Organics will be responsible for major executive decisions:  Chuck Russo (EVP of Client Development), Marita Scarfi (CFO and COO) and Jonathan Nelson (Founder and Chairman).  

On a personal level, Organic has been my life for seven years.  It's not easy to leave but I am very confident the company is in a terrific place which makes it a comfortable time for me to graduate.  

The company:

•    Has superlative talent in every corner of the company and a tight-knit management team
•    Is doing some of the very best work the company has have ever done
•    Has a premier roster of client relationships
•    Is  considered a leading brand in the marketplace
•    Has a unique and cohesive culture that allows people to learn, grow and do great work

Organic's people and culture are the magic in the company's success.  Organic has this hidden, hard-to-identify attribute that it's taken me the better part of seven years to understand.  It's a mash-up of natural intelligence, great creativity, kindness, sincerity, compassion and determination.  I think it's very evident in Camp Organic - an exercise in customer empathy.

I am very thankful for my time at Organic - and by extension, my time over the past several years with Omnicom. I met and worked with many, many exceptional people who are responsible for the company's success - a special thanks to each of them.

The past seven years would make a great business book because it's three success stories in one:  turning around a dot-com darling, repositioning the company as a leader in user-centered design and online marketing and managing through a period of rapid growth period that redefined the company.  I finished the final chapter, and so it's time to move on.

Thanks to everyone for making this a truly exceptional life experience.  And, a big thank you to all of the bloggers and readers of ThreeMinds for your support since our inception.  

Mark

PS: Follow the jump to learn more about the picture above.

Continue reading "Already Caught Sleeping on the Job (or Not!)" »

04/30/2008

Banner Ad Glory

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It's rare that you see a single banner ad unit get press.  Every once in a while an integrated campaign gets coverage and the online advertising portion may be highlighted, but rarely does one ad unit make a big enough wave to get its own press article out of it. 

Dr. Pepper and their agency VML have recently received press for a new "ultra high-def" ad before it even launches.  Brandweek ran an article today about the new Dr. Pepper banner ad and the description makes it sounds more like TV spot.  With nods to media spend and the ad's creative highlights they even refer to it as "Drool."  

Kudos to the Dr. Pepper/ VML team - I am looking forward to seeing the ad.  Seeing articles about a single ad unit the way we have seen articles about TV spots in the past is definitely an indication that people are paying attention, and that we are moving in the right direction.
 
Becky Marinaro

P&G Listens

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Proctor & Gamble Productions, the entertainment arm of P&G that sponsors and produces the two longest-running soaps on TV (each on the air for more than 50 years!), has come under fire for a same-sex storyline on As The World Turns.  Specifically, for a kiss that occurred between two gay teens on the show.

It's hard for me to believe that the same week The New York Times Magazine ran a cover story on young gay rites (describing them as a natural outcome of the mainstreaming of homosexuality), groups like the American Family Association can still plumb outrage over "open mouth kissing" and try to organize a boycott.  Talk about your two Americas.

What does a mainstream marketer like P&G do?  In the days before social media, they could  provide a fragmented response that would (appear to) cater to the needs of each constituency.  This time, they decided to listen.  P&G has set up an automated hotline to tally the national pulse on the issue.  (1-800-331-3774)

We appreciate you taking the time out of your day to share your thoughts with us.

If you are in support of the Luke and Noah storyline, press 1
If you have concerns about the storyline, press 2

Callers can also voice their opinion on another proposed boycott of MTV and BET's profanity-laced hip-hop programming.  It's not a full conversation about the direction of the brand (and honestly, post-Ellen, where is the controversy about depictions of gays on TV?), but it's a start.  Even Perez Hilton was shocked.

Misha Cornes